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该片是导演Jonathan Demme和摄像Jordan Cronenweth 运用8部摄像机、索尼数字24轨机（音频）拍摄的TALKING HEAD现场演出影片——也是史上第一部使用数字音频的电影作品。记录的事件是1983年TALKING HEADS之别假正经《Stop Making Sense》巡演最后一站，在好莱坞PANTAGES剧场的4场演出。80年代是Talking Heads正火的时代，乐队自己出资120万元交由导演拍摄。
1984年第24届旧金山国际电影节Stop Making Sense首映。首映仪式中Byrne嗲嗲的说“片子里有些有趣的部分，希望您们能在合适的地方配合哈哈一下”
片子开头是Byrne提着箱琴，用手提式收录机作为卡拉式伴奏乐器，演唱Psycho Killer，歌曲最后有类似“双簧”的表演。Byrne表演中穿着的白色三件套显得有些傻兮兮的，也许是为了取得他想要的效果（其实这家伙真挺爱穿西装）。Jerry Harrisonn在后来的采访中说“这场演出有特别的结构，它有开头、中间段和结尾3部分，而且舞台设计、音乐设计和人物设置都同样成功”
此种类型的音乐应该算是DFA厂牌下一班团体的老祖宗。
“In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. ”- Amazon.com
Tracks:
Psycho Killer
Heaven
Thank You For Sending Me An Angel
Found A Job
Slippery People
Cities *
Burning Down The House
Life During Wartime
Making Flippy Floppy
Swamp
What A Day That Was
Naive Melody (This Must Be The Place)
Once In A Lifetime
Big Business *
I Zimbra *
Genius Of Love (Tom Tom Club)
Girlfriend Is Better
Take Me To The River
Crosseyed And Painless
点击下载该片：：CLICK HERE DOWNLOAD FILM【EMULE】
High Tech Soul: The Creation of Techno Music (2006)
Credited cast:
Juan Atkins , Carl Craig , Matthew Dear , Eddie Fowlkes , Richie Hawtin , Derrick May , Electrifyin' Mojo , Kevin Saunderson , Anthony Shakir , Dan Sicko
HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown.
Featuring in-depth interviews with many of the world's best exponents of the artform, High Tech Soul focuses on the creators of the genre -- Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit.
With classic anthems such as Rhythim Is Rhythim's "Strings of Life" and Inner City's "Good Life," High Tech Soul celebrates the pioneers, the promoters and the city that spawned a global phenomenon.
The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, George Baker, and Kwame Kilpatrick.
The film's soundtrack includes: Aux 88, Cybotron, Inner City, Juan Atkins, Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more.
"Bredow's cast of alumni -- the holy trinity of Atkins, May & Saunderson at the front -- fill out this tale with passion, pride and, oddly for music of the future, nostalgia too."
- Dazed and Confused
"An enjoyable education into the music, the city and the main players past, present and future."
-DJ Magazine
"Defines the myths and the magic of Detroit techno from its beginnings right up to how it has evolved to become High Tech Soul."
-Derrick May
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The Pervert's Guide to Cinema(2006)
以下文字粗劣翻自Thom Powers写的一篇介绍
“电影确实是种变态艺术。你所欲的它不会给你满足，它（只）告诉你如何去欲望。”齐泽克说。可以看出这个哲学家兼心理分析学者也是一名伟大的影迷。这个三段式记录片里，齐泽克解析了其所钟爱导演之作品，我们会看到他是如何将哲学、精神分析和电影揉在一起操练的。
西区克科，大卫林齐，塔柯夫斯基，卓别林和其他电影人成为他分析的对象，这种分析能加深我们对电影形式的认识。分析中，他会编出一些有启示性的比喻——如将《马克思兄弟》（似乎是年代久远的一个系列剧）中的认为分别指代自我，超我和本我；还给流行电影，如Matrix和Alien，注入新意；对较不为人知的克拉伦斯·布朗导演的影片《The Possessed》以及斯大林主义音乐剧《Cossacks of the Kuban》也有很好的解读。
该片导演是Sophie Fiennes（和演员Joseph Fiennes ，Ralph Fiennes是一家人）。她将齐泽克重新安排进将要评述电影场景中——比如驱魔人中的那张床，Solaris中的星际飞船，Birds中的博德嘉湾等，好让齐泽克重访影片喋喋不休。当他站在Blue Velvet重新设定的郊区花园里，对着郁金香说这东西其实很下流，原话是这样的，“本质上讲，它是对所有昆虫的公开邀请: ‘过来，和我干吧’”
色情潜台词是永远在场的。齐泽克宣称人物构成了括了电影中最色情的场景，而迈克尔·哈内克的《钢琴师》又最为压抑。他还指出《眼界大开》是男性幻想极端重要性的一个例证，“性行为，不仅只涉及我和我的伴侣，那里必有第三者，比如幻想，这一想象的元素使我积极维持两性关系成为可能”
幻想，焦虑，死亡均是齐泽克惯用且有效的分析元素，不过这些与庞大繁复的理论相连的分析并不会让你觉得枯燥乏味。看过这部记录片，你会为自己作为一名变态者而骄傲。
导演介绍：Sophie Fiennes 生于英格兰的 萨福克郡，在切而西大学学习过艺术与设计。与Peter Greenaway工作过几年，此后开始导演生涯，片子包括：Lars From 1-10 (99), The Late Michael Clark (00), Because I Sing (01), Hoover Street Revival (03) and The Pervert’s Guide to Cinema (06).
题外话：该片的音乐制作是Brian Eno，哈哈。
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注：无字幕，说带严重口音的英语
豆瓣上罗列的齐泽克所写的书
择译自Review by Jason Pirodsky for Expats.cz
和VANKMAJER导的ALICE与FAUST两片——尽管在道具、美术上非常得让人匪夷所思，但它们的剧本还是比较忠于所改编的古老童话——不同，SILENI（英文名LUNACY，也可按拼音的译法直接叫做“死了你”）把伯爵DE SADE式的写作方式用于艾伦坡故事（一个是草草埋葬Premature Burial，另一个是焦油博士与羽毛教授的系统The System of Dr. Tarr and Prof. Fether）的改编当中，结果SILENI成为VANKMAJER自己最独特的剧本，当然也是最好的一部，如果有人熟悉这两个故事也不打紧，你不会觉察到他们被糅合进改剧本——纠结与交织的效果是出人意料的，其中还加进了讽刺、黑色幽默等元素。该片剧情可让人想起DE SADE许多故事（比如PETER BROOK的MARAT/SADE 或者 Philip Kaufman的 QUILLS）和艾伦坡的作品。
导演VANKMAJER在片头有一段简单交待，将它归为恐怖作品——当你带着恐怖片类型暗示的颓坏口味暗示看完该片，你依旧会觉得它的口味是颓暗的，却很少再有人将它归与恐怖片的范畴。
【＃以下有情节透露，可以跳过＃】JEAN BERLOT在它母亲死于精神病院后做了恶梦，梦到被一穿着古怪的人带走，BERLOT害怕相似的命运会将领到自己头上。尽管该片的时间设定为现代，DE SADE却露面了，它目睹了BERLOT恶梦的现实呈现，并且告诉BERLOT他能够治疗BERLOT的疾病。接着我们被带入侯爵的庄园，然后进入精神病院，那里象被病人们占领了的避难所。侯爵告诉BERLOT，“要治愈恐惧，必先经历之”。此后，故事随着一名疯医生、一个美女及神秘的外科治疗展开去。这就是混合了Jan vankmajer、Marquis de Sade和Allen Poe的古怪电影。
点击下载：CLICK HERE DOWNLOAD THIS FILM【EMULE】
英文字幕下载：CLICK HERE FOR SRT【EMULE】
官方网站： http://www.sileni.cz/
=01=Glastonbury Anthems - The Best Of Glastonbury 1994 To 2004
Tracklisting:
1.Franz Ferdinand Matinee 2004
2.Travis Driftwood 2000
3.Faithless We Come 1 2002
4.Manic Street Preachers A Design For Life 1999
5.Moby Why Does My Heart Feel So Bad? 2000
6.Robbie Williams Angels 1998
7.Supergrass Pumping On Your Stereo 2003
8.Ash Shining Light 2002
9.Levellers One Way 1994
10.Primal Scream Rocks 2003
11.Elastica Connection 1995
12.The Chemical Brothers Hey Boy Hey Girl 2000
13.Basement Jaxx Good Luck 2004
14.Coldplay Yellow 2002
15.Fun Lovin' Criminals Scooby Snacks 1999
16.Prodigy Breathe 1997
17.Blur This Is A Low 1994
18.Placebo The Crawl 1998
19.Radiohead Karma Police 1997
20. Paul McCartney Hey Jude 2004
点击下载：CLICK HERE DOWNLOAD THE FILM【EMULE】
=02=Chuck Berry - Hail Hail Rock 'n' Roll (1992)
Cast (in credits order)
Chuck Berry .... Himself
rest of cast listed alphabetically:
Ingrid Berry .... Herself
Eric Clapton .... Himself
Robert Cray .... Himself
Bo Diddley .... Himself
Don Everly .... Himself
Phil Everly .... Himself
Etta James .... Herself
Johnnie Johnson .... Himself
Steve Jordan .... Himself
Bobby Keys .... Himself
Chuck Leavell .... Himself
John Lennon .... Himself
Julian Lennon .... Himself
Jerry Lee Lewis .... Himself
Little Richard .... Himself
Roy Orbison .... Himself
Keith Richards .... Himself
Linda Ronstadt .... Herself
Joey Spampinato .... Himself - Bass Player (Bass Player)
Mark Hale .... Dancer (uncredited)
Bruce Springsteen .... Himself (uncredited)
=01=.片名：ROBBER'S LOVER/皮衣的爱人[1997][日本]
产品说明【翻译：http://babelfish.altavista.com/tr】
强有力和隐隐藏藏的公司做地下精神试验运用数字式直接传动, 否则通认作为D.D.D. While 在药物以太的影响之下, 人类主题被装备在橡胶衣服和被炮击与D.D.D. 以极端强烈的声音。虽然实验是成功的在解开精神力量在测试对象, 结果通常是致命的。结果, 公司试图关闭实验反对是负责研究Motomiya 和Hitotsubashi 的愿望。在绝望企图抢救他们的工作, 二位研究员接管实验室和扣留一个无辜的秘书人质当他们变换他们的研究员(Iinuma) 成以太上瘾者和使用他作为最后的人的试验品为他们的实验。结果必须看被相信当Iinuma 的精神力量被解开在将留给您气喘吁吁凶猛的波浪。
Product Description【FROM AMAZON】
A powerful and secretive corporation is conducting underground psychic experiments utilizing Digital Direct Drive, otherwise known as D.D.D. While under the influence of the drug ether, the human subjects are outfitted in rubber suits and bombarded with D.D.D. with extremely intense sound. Though the experiments are successful in unleashing psychic powers in the test subjects, the results are usually fatal. As a result, the corporation attempts to shut down the experiments against the wishes of Motomiya and Hitotsubashi who are in charge of the research. In a desperate attempt to salvage their work, the two researchers take over the lab and hold an innocent secretary hostage while they transform their fellow researcher (Iinuma) into an ether addict and use him as the final human guinea pig for their experiments. The result has to be seen to be believed as Iinuma's psychic powers are unleashed in a wave of ferocity that will leave you breathless.
点击下载影片: CLICK HERE DOWNLOAD THE FILM【EMULE】
字幕有英文的，自行寻找
=02=.片名：超越小妞谷/BEYOND THE VALLEY OF THE DOLLS[1970][U.S]
【翻译：http://babelfish.altavista.com/tr】
你从未疲倦于观看Russ 迈尔的在玩偶的谷, Jaqueline Susann 的bestselling 的小说的一个玩偶的远亲, 谷, 和它有薄膜的相对物, 玩偶的谷之外。凯利帽McNamara (移动式摄影车读), Casey 安徒生(辛西亚・Myers), 和Petronella Danforth (Marcia McBroome), 星作为笨拙地驾驶好莱坞在Swingin 期间' 60 促进他们的带的热的女性三重奏, Carrie 国家。由Rogert Ebert 写, Ebert 称影片"第一岩石恐怖开发音乐会," 因为BVD, 照原样由风扇叫, 包含所有是性感, 滑稽, hip, schlocky, 时髦, 和可怕关于美国的最有趣的文化期间。BVD 可能被观看作为60 的人工制品, 被包装以完善党场面(和一次有浮雕的贝壳出现由Strawberry 闹钟), 作为原始的皮肤flick, 作为proto 崇拜经典之作, 或作为一个基准在美国戏院, 因为它实际上是好写, 狡猾地射击了, 和精巧编辑了。这个特刊re 发布包括第二个圆盘由五featurettes, 题目包括Meyers 的传记, Carrie 国家音乐当电影配乐, Casey 和Roxanne 的titillating 女同性恋的爱情戏, 并且政治气候组成在60 期间。再访在玩偶的谷之外, 特别是在Russ 迈尔的最近死亡以后, 提醒观察者珍惜他的幻想积念以女性秀丽。
产品说明:当三女性rock'n'rollers 旅行到好莱坞要求继承, 他们碰见使他们狂热对一个整体新场面的一个卷毛音乐促进者。起初, 所有似乎非常扣人心弦并且na5ive 三重奏成为淹没在他的危险tinseltown 地狱在他们之前发现他真实的动机。
Editorial Reviews【Amazon.com】
One never tires of watching Russ Meyer's Beyond the Valley of the Dolls, a distant relative of Jaqueline Susann's bestselling novel, Valley of the Dolls, and its filmic counterpart, Valley of the Dolls. Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroome), star as the hot female trio who clumsily navigate Hollywood during the Swingin' Sixties to promote their band, The Carrie Nations. Written by Rogert Ebert, Ebert calls the film the "first rock-horror exploitation musical," because BVD, as it's called by fans, encompasses all that was sexy, funny, hip, schlocky, stylish, and horrific about America's most interesting cultural period. BVD can be viewed as a Sixties' artifact, packed with consummate party scenes (and a cameo appearance by Strawberry Alarm Clock), as the original skin flick, as a proto-cult classic, or as a benchmark in American cinema, since it is actually well- written, artfully shot, and finely edited. This special edition re-release includes a second disc comprised of five featurettes, whose topics include Meyers' biography, the Carrie Nations music as soundtrack, Casey and Roxanne's titillating lesbian love scene, and the political climate during the Sixties. Revisiting Beyond the Valley of the Dolls, especially after Russ Meyer's recent death, reminds viewers to treasure his visionary obsession with female beauty. --Trinie Dalton
Product Description
When three female rock'n'rollers travel to Hollywood to claim an inheritance, they meet up with a kinky music promoter who turns them on to a whole new scene. At first, all seems very exciting and the naïve trio becomes submerged in his dangerous tinseltown underworld-before they discover his true motives.
点击下载影片: CLICK HERE DOWNLOAD THE FILM【EMULE】
字幕有英文的，好像是70KB左右，自行寻找
翻译练习之1.
今日起只能小猫上网，单位和家里的宽带都没到位，不再能用骡子，又逢新一轮自我教育的开始，故BLOG以文字为主。不放骡子链接，有兴趣者自行耕种田地波。
创世之恋，青年A（Big Bang Love, Juvenile A）
Original title:46-Oku Nen no Koi
Director：三池崇史（Takashi MIIKE ）
Year:2006
Running time85 mins.
TAKASHI MIIKE的第七十部影片已经问世，时至今日该老人仍然可以给大家带来惊奇，即便你是它最忠实的影迷。当然影评对其影片的评价却各执一词，这不见得是个坏事。
曾经，MIIKE弄出象ZEBRAMAN，ONE MISSED CALL，GREAT YOKAI WAR等票房热门，不过最近他的片子IZO——一部不好分类的，又有些哲学色彩的，情绪化的影片——却开始偏离ASIA EXTREME阵营的主流风格。其实IZO也只是一个开始，MIIKE 2006年新片Big Bang Love, Juvenile A的影片风格是IZO的延续，它是一部有布莱希特①风格的，以同性恋和监囚为题材的影片，它是冯特里尔VON TRIER②和戈达尔（GODARD）吹出的口哨在昏暗无光的水泥走廊里的回响。
戈达尔？对。戈达尔可作为MIIKE一个必须的，尽管又有点乏味的参照点——由反偶像导演转变成一个觉悟的隐士，这种转变在MIIKE身上又得到了印证。这个过程可以追溯到几年前。解构是MIIKE长期以来的一个标志，在它早期影片DEAD OR ALIVE和其他两部“续集”中达到一定的高度，特别是被影评人忽视的DEADLY OUTLAW：REKKA（MIIKE将RIKI TAKEUCHI爆破摩天楼的简单故事变成了一个对叙事、表演、化装的复杂而又奇妙的思考过程）。在BIG BANG LOVE,JUVENILE A中，同样有大量类似的思考过程，也许它将是MIIKI最具有思辨色彩的电影。让人感到奇怪的是，MIIKE选择HISAO MAKI作为该片的制片人（它是MIIKE导演生涯中最烂③的几部片子的制片人）；另一方面，该片剧本由MASA KAKAMURU执笔，他给MIIKE最好的几部片子，如DEAD OR ALIVE 2,THE BIRD PEOPLE IN CHINA, YOUNG THUGS:NOSTALGIA等写过剧本。片名中的THE BIG BANG即体现了MIIKE的影片两个最远极端——感观的和思辩的，译者注——间的冲撞，也暗示了它将其过往片中所涉及的方方面面集于一体。
呃，到底算好还算坏？记住，这是部MIIKE电影，它会让你惊奇、诅咒、惊叹、战栗、挠头、长出厌倦、猛然醒来。看片享乐吧。
注释：
①贝尔托·布莱希特- 1898年2月10日，贝尔托·布莱希特生于德国巴伐利亚奥格斯堡镇。年青时曾任剧院编剧和 导演。曾投身工人运动。1933年后流亡 ... 布莱希特他一直从倡导歌剧改革入手，在理论 和实践上进行史诗剧实验，特别吸收中国戏剧艺术经验，逐步形成了独特的表演方法。
②Von Trier－拉斯·冯·特里尔。执导了：1984《犯罪分子》（欧洲三步曲之一） ；1987《瘟疫》（欧洲三步曲之二） ；1991《欧洲特快车》（欧洲三步曲之三） 1991年戛纳评审团大奖；1994《医院风云》 ；1996《破浪而出》 1996年戛纳影展评委会大奖，同年获欧洲电影节最佳影片；1996《白痴》 ；2000《在黑暗中漫舞》2000年戛纳影展的最佳影片。《亲爱的温蒂》一片的编剧。
③原文为“Thick-headed”，意思是Having a thick skull; stupid.
（Author:Tom Mes）Going on his 70th film, Takashi Miike is still capable of surprising even his most loyal fans. Far from reaching critical consensus (and thank god for that), he continues to beat his own unique path. If at one moment he seems to be heading for blockbuster glory with films like Zebraman, One Missed Call and the as-blockbusting-as-you-can-get The Great Yokai War, out of left field he suddenly appears to alienate the Asia Extreme crowd with the unclassifiable philosophical mood piece Izo. More than a mere chaser, Big Bang Love, Juvenile A continues where Izo left off, with an overtly homoerotic, Brechtian prison drama whose barely-lit concrete corridors echo whispers of Von Trier and Godard.
"Godard?" I hear you say. As obligatory and unimaginative a cinematic reference point as the Swiss iconoclast-turned-disillusioned hermit may be, the comparison is justified in Miike's case. And it stretches back several years. Deconstruction has been a Miike trademark for a long time, reaching early heights in films like Dead or Alive and its two sequels, and especially in the vastly underrated Deadly Outlaw: Rekka, which took a story about Riki Takeuchi blowing up a skyscraper and turned it into a marvellously intricate meditation on storytelling, performance and playacting.
There is a lot of meditation in Big Bang Love, Juvenile A too. It's perhaps one of Miike's most meditative films ever. Oddly, on the one hand, because it was produced by Hisao Maki, responsible for Silver, Family and several other of the most thick-headed turkeys in Miike's career. Not so oddly, on the other, because it was scripted by the great Masa Nakamura, writer of Dead or Alive 2, The Bird People in China, Young Thugs: Nostalgia and several other of the very finest films in that same career. The big bang of the title is also the clash between the two furthest extremes in Miike's filmography and the spectacle of its scattering stardust is one to behold.
Yes, but is it any good? This is a Takashi Miike film. It will make you wonder, curse, marvel, tremble, scratch your head, grow bored, and awaken rudely. Celebrate it.(From：Midnight Eye)
被屠的呕吐偶人 2005 类型：vomit ＋gore
影片的官网：http://www.slaughteredvomitdolls.com/
【A REVIEW】Director and emetophiliac Lucifer Valentine hit the horror forums like a whirlwind. From here at Terror Australis to the forums at the Canadian Rue Morgue Magazine and the UK’s Slasherama, he came and told us all about his brand new type of horror movie that had never been experienced before: vomit gore. That’s right: vomit gore. Vomit is not enough and neither is gore, but to find that unique mixture of the two, to Lucifer anyway, is truly satisfying. To be a part of the independent horror scene was not enough for Mr. 
Valentine, he created this genre to satisfy the needs of people who… um … like vomit and gore. I am all for people who find a niche to fill in any genre of films, no matter how slim it might be, so at the very least Valentine needs to be congratulated on not just acting on his creative impulses, but also his aggressive self promotion. It seems to survive in the film game you need the one thing that Valentine has a lot of: chutzpah!
A fairly non linear storyline involving a suicidal, bulimic stripper/prostitute who is tormented by visions of people being tortured and murdered, but is she a victim, or perpetrator, or is she descending into madness? Actually I feel the plot is up to the individual’s interpretation, which is where Valentine’s story is clever, at various times through the movie I had different ideas as to what the story was about.
Slaughtered Vomit Dolls was filmed in various locations around Vancouver British Colombia over a period of five months, including Valentine’s own house. The post production period was ten months, as Valentine is basically a one man band, doing the shooting, editing, sound and visual effects himself on various computers all over the world. His influences range from the notorious Guinea Pig movies to family favorites like Henry and Blue Velvet. The lovely star of this film is porn actress/ stripper Ameara La Vey, an ex-flame of Valentines, who has a great presence in this flick, and spends most of the time naked; actually, most of the female cast spends a lot of their time naked. As a small aside, fans of grunge music will notice a number of references to Kurt Cobain and his suicide within this film, apparently due to the fact that Valentine came up with the idea for this flick while standing out the front of Cobain’s house.
At times it felt like I was watching an extended version of a Marilyn Manson clip, but all in all Slaughtered Vomit Dolls is a unique experience.Valentine's unusual lighting techniques, handheld camerawork and quick cut editing swing between being inspired and annoying. The usual small film problems come up, such as the one man show syndrome. Slaughtered Vomit Dolls could have definitely done with someone else editing, as writer/ director/editors tend to love all of their own shots and have problems cutting anything. On occasion I felt some of the mundane, and the gore and vomit shots could have been trimmed. Personally I feel this would have been a far more effective 30 to 40 minute short, rather than a 70 odd minute feature. The gore effects are absolutely brilliant and occasionally outstanding. Not for everyone…actually, hardly for anyone at all, Valentine cannot be criticized for coming up with something contrived or imitative. Violent, gruesome and, with its bucketloads of vomit, sickening, this movie also has an underlying thread of, not just physical, but mental cruelty as well…and I mean all that in a good way.
Slaughtered Vomit Dolls and Lucifer Valentine have taught me something: that liking and enjoying a film is two completely different things. Worth a watch just to say you have seen it.
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An interview with Lucifer Valentine (Director of Slaughtered Vomit Dolls)
By Frater Pestis
Greetings Lucifer! Welcome to the Carnival of the Grotesque. Can you tell us about your background, how you got involved with film making?
Well, it's a combination of a bunch of simultaneous developmental events in my life, when i was about 12 years old when i first got into music and movies, and onward from there . . . i got IMPRINTED by my first experiences with music and movies just because of the stuff my friends were into, and the context in which i first came into contact with this material, and my own personal innate predispositions and inclinations were activated at this first stage of development as an artist.
Like most kids (i think), i spent an unbelievable amount of time just hanging out with groups of friends', and at the time, that "hanging out" seemed to be the ALL IMPORTANT, most meaningful thing in my life!! and i always had incredibly strong, very deep, meaningful friendships that were almost like unbreakable bonds and alliances that at the time were very fucking intense, so naturally, my "culture", and my fate as an artist, was dictated by initial experiences with my friends growing up . . .
SO, my first experiences with music were the bands Slayer, Black Sabbath, Napalm Death, Carcass, Melvins, Sacrifice, Metallica, Venom, Deicide ---- all their early stuff . . .
And as for movies: my first memories are: Faces of Death, Texas Chainsaw Massacre, Man Behind the Sun, Guinea Pig, Bloodsucking Freaks, Microwave Massacre, Maniac, GG Allin bootleg videos, Nekromantik, Salo, Eraserhead, Cannibal Holocaust to name a few (i think i may have seen almost ALL of the 'Death Series' shock-u-mentaries in existence' i watched those religiously).
. .and before that I wasn't really into movies, like when i was really young, i just liked collecting bugs and frogs and tadpoles, seriously!
I have to say, that when I initially saw Man Behind the Sun, on subconscious levels i "knew" that i would eventually end up making my own movies, because that movie affected me very deeply . . .
Slaughtered Vomit Dolls, your soon to be released movie is already being discussed widely online. What's the story behind it, how it came into being?
Well, Ameara was my ghoulfriend at the time! And I had met her through some common friends at a party. She had been in a few Hardcore Porn movies and was a stripper . . . we got to talking, and (believe it or not folks!) she actually kept asking ME out, because we kept seeing each other around at parties etc. So we got together, and eventually she needed a place to live because she got thrown out of her other place. I said definitely she could stay with me, BUT I told her that I am ADDICTED to shooting anything and EVERYONE who hangs out with me for any period of time, and that if she's LIVING in my apartment, well, she's GONNA GET SHOT BIG TIME!! She just said, "Sure! What do you want me to do?" And that was that. We then proceeded to dig very, very deep into the darkest, most disturbing regions of our lives and minds possible at the time and I shot her at my place and other hotel rooms etc. for 5 months!! Ameara and I are not boyfriend/ghoulfriend anymore, but we are very, very close friends, she has a new fella etc.
What's more important to you; your viewers thinking it's the sickest, most extreme film ever, or them thinking it's actually a rather good, well made movie?
Both, because i think Slaughtered Vomit Dolls has both of those qualities.
Let's get the obligatory vomit questions out of the way...
What was it like on set when you were filming some of the more gross scenes? I really can't imagine if it was comical with all that puking or serious and intense. I know one thing; I would have been hurling along with the cast!
Well, I LOVE PUKE, and am what is known as an Emetophile, so it certainly doesn't bother me any!!
On set, with Hank Skinny, it was usually hilarious cuz he's just a big fun guy to have around!! Those shoots were supposed to reflect the delirious, hysterical mania in Angela's mind, so we had a ball on set!!! In shooting Ameara's vomiting scenes, that was the opposite cuz those scenes were private moments reflecting her Bulimia, and various addictions, and were meant to be very sad, lonely moments, so that was more intense . . .
Can you share your secrets on how to get the perfect projectile vomit?
It really depends on the person, everyone vomits differently at different times, one thing i can say to y'all, regarding projectiles is; just make the performer drink a ton of water or beer or something that will nauseate them when they drink it in excess, and ask them nicely to drink these liquids until their stomach is fucking distended, then you are on your way to having a very fun party!!
How on earth do you manage to find people who are willing to vomit in your film? I'm just trying to picture the auditions...
Well i don't really do auditions, and i keep my sets very small and closed off; i want the least amount of people there as possible, and i generally wont work with any actors unless they are close friends of mine, even if we have only known each other for a short time, i make close connections very quickly with certain people that would be inclined to be in one of my movies cuz it's usually pretty obvious if they are even remotely inclined to enter the realm of Vomit Gore!! so basically, my sets are just a bunch of my friends who really understand me on many levels, and are Hardcore Motherfuckers, but they also just want to hang out on a Friday night and do some fucking insane shit!!
I think that when Slaughtered Vomit Dolls is released, many people will agree with me that Ameara is extremely impressive as "Angela". Can you tell us how she came to get the part and how she coped with such a demanding role?
Well, i mentioned in a previous answer how i met Ameara etc, and this is my description of her:
She is a Hardcore Cinematic Warrior. She is a walking contradiction, a paradox --- she is both extremely shy and vulnerable, and fierce and shockingly intense, she is a tiny, 100 pound little girl, a delicate fragile POWERHOUSE with astonishing and bizarre physical strength, and trust me folks, she can barroom BRAWL with the best of 'em!
The sound effects and music in the movie are very harrowing, claustrophobic even. Was it difficult to get a suitably disturbing soundtrack to match the on-screen visual assault?
No, it wasn't difficult at all because i created all those sounds myself and did the sound design and edited all the audio together with the picture --- so whenever i had an idea for audio that would go nicely with the picture in any particular scene, i would just go and record it in my home and cut in to the movie!!!
One subject that is rarely handled well in horror films is the Occult, especially from a genuine Satanic perspective. It's touched upon in Slaughtered Vomit Dolls when "Angela" recites her pact with the Devil. As an Occultist yourself, would you like to expand on the theme in future films?
YES definitely!! And in my second film that i am currently half way done shooting, i carry through the theme of Satanism in the form of personal Pacts that people make . . .
Even in our supposedly enlightened times, Occultism is still treated with both fear and contempt. Do you anticipate any anti-Satanic backlash?
Sure, that has happened to me all through my career as artist, Satanism seems to really touch a nerve with a lot of people, and I LOVE seeing people just fucking lose it when i tell them that they are sickening christian weakling scum, and that Satan is my Lord and Master, it's beautiful, some people go fucking ballistic and want me burned at the stake!
Canada, your homeland, has a reputation for having strict censorship laws.
Do you expect any problems with Slaughtered Vomit Dolls?
Not really, cuz we have a legal department to Kingdom of Hell, my production company, and everything was done EXACTLY TO THE SPECIFICATIONS OF THE LAW, i NEVER deviate from the law, and if you do things properly, then you know how to get the most "bang for your buck" and greatly reduce the amount of
hassles . . .
Are there any movies in particular that inspired you to get into film making? What are your personal favourite films?
I kinda listed my initial influences above --- my favorite movie of all-time is GUMMO, i love Guinea Pig, Salo, Begotten, Bully, Ken Park, Happiness, Welcome to the Dollhouse, Joe Spinell's MANIAC was a massive influence, and of course Man Behind the Sun!!
What's next for Kingdom of Hell productions?
Two more Vomit Gore movies!! Then something a little different than flat out Vomit Gore, i can't say what it is specifically, but it'll for sure have SOME VOMIT, i cant really ever NOT have Vomit cuz for me it's like having a cup of coffee in the morning!!!
Thank you for sharing your thoughts with us and I'd like to wish you the very best of luck with Slaughtered Vomit Dolls.
THANKS!!!! This was FUN!!
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