2005年01月29日

先不说别的,单单就是这电影里的音乐就已经把我迷的神魂颠倒。贯穿影片始终,每到一个舒缓的,或是激动的段落,就会有特别符合你审美情趣的音乐在你耳边响起,当然,这里指出如果你如我般迷恋他们的话。cliff martinez请到的艺人包括mogwai这样的后摇大牌,还有像mum, white stripe, stereophonics这样的能够叫醒耳朵的家伙。我们知道,音乐于电影就像是一位佐料之于一盘菜,微不足道但又必不可少,在这部影片中,这句话一样也是再适用不过。

该片翻拍了一部法国电影‘公寓’有人说,原著很迷情,很美。可我深信,如果在你看过了前座之后定不会再有我这份受动的感觉。是的,如果多年后再有一部翻拍‘迷失东京’的片子,那拍摄难度便已然提升了,可你不能就因此说这样做就没有意义,或者甚至于把它骂得一钱不值,不是说笑,就有人在这样骂着这部wicker park,在此,我希望那些谩骂着的人们,能够假象一下自己的评价有多少是过于刻薄,又有多少是出于观影后的惯性。

2005年01月28日

序言:

网格计算是近来新出现的一个领域,区别于传统的分布式计算,该技术具有以下几个特点:大规模资源共享,具有创新精神的应用,有的时候,还会包括一些高性能实现的部分。在这篇文章里,我们会对这个领域有一个完整的定义。那么先来看一看什么是‘网格’。网格是一种灵活、安全的,整合的资源,他们自由的分布在各种各样的资源上,这种资源我们管它叫‘虚拟单元’。当面对网格技术的时候,我们会遇到来自诸如身份认证,授权,资源访问,资源发现等困难。接着,我们会展现一种广泛开放的网格构架,围绕着资源共享服务着各式各样的协议,服务,应用接口编程和软件开发库。我们还会讨论一些最小化的网格间协议的重要性和所必需完成的机理。在文章的最后,我们会把网格技术和当前其他技术联系起来,这些技术包括企业整合,应用服务提供,存储服务提供,点对点计算等等。我们深信以上的这些网格概念和技术都会对其他领域做出很大的贡献。

translating..

2005年01月26日

愈演愈烈的国足主帅帅位的人选终于快水落石出了,我们用一种很伪善的方式说是听取了布拉特先生的意见,决定将职位留给我们自己,辅以外籍技术专家,这样做究竟有多少主动选择的成分呢。然而这样定下来,那么就已经没有了悬念—-非朱广沪先生模数。

朱广沪在带领健力宝青年队去巴西深造留学的时候,耳濡目染的学到了很多原汁原味的执教技巧,从主教练的临场指挥到队内工作人员的细致入微的队员护理工作,可以说样样拿得起来。巴西的教练水平不低,数年前走红的塔瓦雷斯,包括斯科拉里,都给国人留下了很深的印象,甚至于神奇的米卢先生,都从南美洲学到的比他在homeland知道的多得多。zhu

媒体上比较爱给教练员冠以一个帽子似的名词,比如铁帅阿,儒帅阿等等,而勤奋二字一直也都没有离开过朱广沪先生的头上。你可以说沈祥福也是一位严师,以身作则的高手,我们能够很轻易的看到他手里拿着本子向米卢求教的镜头,可你会发现,勤奋的人是常有,而勤奋+智慧兼具的人就不多了。朱广沪先生就正是正样的人。我们看到其实郑智在那时参加奥运会预选赛的时候,还稚嫩得要命,只能在右后卫的位置上兢兢业业地进所则。在经受了朱广沪几年的调教之后,甚至现在在国家队都成了雨打不动的主力。朱广沪先生对球员的意志品格很看重,媒体上说,他的训练课比赛上定的时间从来都是95分钟,别看就多这短短的几分钟,习惯的力量确实是巨大的。而且朱广沪先生最为欣赏的球员也都具有超常的意志力作为前提,所以这样看,至少能改一改我们国家队意志力确实的痼疾。

忘了说,那名技术顾问可能会是霍顿。

这回的务实让我震惊之极,真的。

2005年01月22日

sundance来关注一下正在美国犹他park小镇举行的日舞影展吧,sundance festival一直以其倡导独立电影著称,评委的眼光也很独到,应该说还是很偏人文的。我们可以从很多美国当地的媒体上得到一些相关信息,比如,每次纽约时报的专栏,都会给与一定的篇幅进行积极性的报道。很多影片(e.g.以前看过的幸福终点站)都是从这里作为他们推广的首站。日舞影展总是在从一个侧面反映美国当前的现状,这个角度更多的是偏向了平民阶层,甚至是弱势群体,这可能多半是因为其所受独立影片制式所限。所以我想,在纪录片这一个领域,可能被选的影片会很容易被其他的电影节所接受(这里可以从华氏911,super size me中略知一二)。那么就让我们概览以下本次参赛的部分影片:

Melancholian kolme huonetta 是一部北欧影片,讲述的主题是控诉战争带给人民的伤害。摄制组通过多次进访车臣的战争区,获得了很多鲜活的片断,题为抑郁,自然你可以看出影片的色调一定会是和芬兰那终日不见阳光一样,而在战争的环境下,即便是在最阳光可及的空间,也会让你根本无法呼吸。所以这部影片定不会是像’血腥星期天’那样的明快,而更贴近于用讲述者的话,和直接设置下来的画面来说明一切,显然,这样的手法除非评审团喜好这口,否很难获奖。

Grizzly Man,directed by herzog,大名鼎鼎的德国导演赫尔佐格,这一回把他一直跟踪着的一对‘疯子’搬上了银幕。他们深深的爱着生活在他们周围的阿拉斯加熊,然而这种爱能被熊所理解么?这可能是一部完全疯狂的电影,我很难想象摄影师在拍摄熊撕裂他们身体的片断时却不去营救。这样凶狠的电影值得我们学习。

Yang Ban Xi, de 8 modelwerken 这是一部来自中国香港的纪录片,但纪录的内容围绕在文革时期围绕样板戏出现的多个人物之间的关系及发生的事的故事。没有经历过这一时代的人都应当看一看样板戏的说唱场面,我曾深深的被傅老所感动,认为这些老人们的东西如果失了传那将是无法弥补的遗憾。

to be continue..

Inmortal, El 则又是一部讲述家庭内部和家庭与家庭之间的矛盾的小成本影片,只不过地点换到了尼加拉瓜。

The Liberace of Baghdad 巴格达等待自由,这个题材应该是很敏感的。一位美国钢琴师困在了战火横飞的伊拉克,无法回到自己的故土,导演将他所经历的和内心深处的苦痛用镜头记录的精确丝毫不加煽情。

2005年01月19日

早在三个月前,就有人和我谈起过金基德的这部电影已经有了D版。当时,我们谈得很投机,但是她所我只能随声复合,并不能和他谈出自己的见解,即便是我已经看过了三,四部金导演的片子。为什么会这样?难道我不能凭着自己的判断随便的发几声感慨吗。之所以会让我如此窘迫,其实,这正是因为金基德他不会放过每一次给人以新意的机会,不会浪费胶片,浪费剧组人们的辛勤劳作,我也正是缘于此,而不敢贸然发以判断。

事实证明,这样做是明智的。

《空房间》是我见过的最接近于‘无声戏剧’的一部电影(这里借用了的名词),影片并不以密不透风的话语取胜,但恰有一种无声胜有声的感觉萦绕其中。有的影评谈到,影片的进展是从男女主人公发现了一具老人尸体而开始迸发的,我看不然,首先老人的死,与主人公毫无关系,所以没有带给我们任何悬念。其二,确实有更具代表性的段落可以充当。我如果说这部片子从一开始就是一个兴奋点,那可能是有些玩弄文字游戏,可金就是把它当作短篇来拍的阿。要不然为什么100多分钟的戏只用了一周就结束了呢。

但也确实,影片越到后来会变得越神秘,越精彩,而且很轻松。也只有自己看过才能够明白这种深意。

2005年01月17日


0116有待节目Armand Van Helden—-来自纽约的house音乐
—-no stone, no house









Blondie call me


Colour me your colour, baby
Colour me your car
Colour me your colour, darling
I know who you are
Come up off your colour chart
I know where you’re coming from
Call me on the line
Call me call me any anytime
Call me my love you can call me any day or night
Call me
Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I’ll never get enough
Emotions come I don’t know why
Cover up love’s alibi
Call me on the line
Call me call me any anytime
Call me oh my love
When you’re ready we can share the wine
Call me
Ooh, he speaks the languages of love
Ooh, amore, chiamami chiamami.
Oo, appelle-moi mon cherie, appelle-moi
Anytime anyplace anywhere anyway
Anytime anyplace anywhere any day, anyway
Call me my life
Call me call me any anytime
Call me for a ride
Call me call me for some overtime
Take me out and show me off
Put me on the scene
Dress Me in the fashions of the nineteen nighties
You’re the man no in between
I know what you words can mean
Call me call me any anytime
Call me for a ride
Call me call me for some overtime
Call me in my life
Call me call me in a sweet design
Call me call me for your lover’s lover’s alibi
Call me on the line
Call me call me any anytime
Call me
Oh, call me, ooh ooh ah.
Call me my love.
Call me, call me any anytime.



armand van helden hear my name featuring Spalding Rockwell



klonhertz three girl rhumba


Think of a number,
divide it by two,
something is nothing,
nothing is nothing.
Open a box,
tear off the lid,
then think of a number,
don’t think of an answer.
Open your eyes,
think of a number,
don’t get swept under,
a number’s a number
A chance encounter you want to avoid,
the inevitable, so you do, oh yes you do the impossible
Now you ain’t got a number,
you just want to rhumba,
and there ain’t no way you’re gonna go under
Go under




Felix Da Housecat Cyberwhore




yazoo don’t go


Came in from the city
wakled into the door
I turned around when I heard
The sound of footsteps on the floor.
Love just like addiction now I’m hooked on you

I need some time to get it right

Your love gonna see me through.
Can’t stop now
don’t you know

I ain’t never gonna let you go – don’t go!
Baby
make your mind up
give me what you got

Fix me with your lovin shut the door and turn the lock.
Hey
go get the doctor
doctor came too late

Another night I feel alright my love for you can’t wait.
Can’t stop now
don’t you know

I ain’t never gonna let you go – don’t go!
Came in from the city
walked into the door
I turned around when I heard
The sound of footsteps on the floor.
Said he was a killer
now I know it’s true

I’m dead when you walk out the door
hey babe
I’m hooked
Can’t stop now
don’t youl know

Can’t stop now
don’t you know
. . .
Can’t stop now. don’t you know
. . .





Soft Cell Tainted Love



Sometimes I feel I’ve got to
Run away I’ve got to
Get away
From the pain that you drive into the heart of me
The love we share
Seems to go nowhere
And I’ve lost my light
For I toss and turn I can’t sleep at night

(chorus)
Once I ran to you (I ran)
Now I’ll run from you
This tainted love you’ve given
I give you all a boy could give you
Take my tears and that’s not nearly all
Oh…tainted love
Tainted love

Now I know I’ve got to
Run away I’ve got to
Get away
You don’t really want IT any more from me
To make things right
You need someone to hold you tight
And you’LL think love is to pray
But I’m sorry I don’t pray that way

(chorus…)

Don’t touch me please
I cannot stand the way you tease
I love you though you hurt me so
Now I’m going to pack my things and go
Tainted love, tainted love (x2)
Touch me baby, tainted love (x2)
Tainted love (x3)





armand van helden my my my



My, my, my
My, my, my
(Whoaaa)
Whoaa
how did we ever get this way
where’s it gonna go..

My, my, my
My, my, my
(Oooh Ooooh wee)
Ooh,
how we gonna make it work,
what’s it gonna take to do it..

(Repeat)





The Romantics – Talking In Your Sleep



When you close your eyes
And go to sleep
And it’s down to the sound
Of a heartbeat
I can hear the things
That you’re dreamin’ about
When you open up your heart
And the truth comes out

You tell me that you want me
You tell me that you need me
You tell me that you love me
And I know that I’m right
‘Cause I hear it in the night

I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep

When I hold you in my arms at night
Don’t you know you’re sleeping in the spotlight
And all your dreams that you keep inside
You’re telling me the secrets
That you just can’t hide

You tell me that you want me
You tell me that you need me
You tell me that you love me
And I know that I’m right
‘Cause I hear it in the night

I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep

When you close your eyes
And you fall asleep
Everything about you is a mystery

You tell me that you want me
You tell me that you need me
You tell me that you love me
And I know that I’m right
‘Cause I hear it in the night

I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep
When you’re talking in your sleep




yes owner of a lonely heart



Move yourself
You always live your life
Never thinking of the future
Prove yourself
You are the move you make
Take your chances win or loser

See yourself
You are the steps you take
You and you – and that’s the only way

Shake – shake yourself
You’re every move you make
So the story goes

Owner of a lonely heart
Owner of a lonely heart
Much better than – a
Owner of a broken heart
Owner of a lonely heart

Say – you don’t want to chance it
You’ve been hurt so before

Watch it now
The eagle in the sky
How he dancin’ one and only
You – lose yourself
No not for pity’s sake
There’s no real reason to be lonely
Be yourself
Give your free will a chance
You’ve got to want to succeed

Owner of a lonely heart
Owner of a lonely heart
Much better than – a
Owner of a broken heart
Owner of a lonely heart

Owner of a lonely heart

After my own decision
They confused me so
My love said never question your will at all
In the end you’ve got to go
Look before you leap
And don’t you hesitate at all – no no
Owner of a lonely heart

Owner of a lonely heart


Owner of a lonely heart
Owner of a lonely heart
Much better than – a
Owner of a broken heart
Owner of a lonely heart
(repeat)

Owner of a lonely heart

Sooner or later each conclusion
Will decide the lonely heart
It will excite it will delight
It will give a better start

Owner of a lonely heart

Owner of a lonely heart


Don’t deceive your free will at all
Don’t deceive your free will at all
Don’t deceive your free will at all
Just receive it

Owner of a lonely heart

2005年01月16日

rock’roll on Electro Musi~~c

norman cook going out of my head




junior senior Shake Your Coconuts


Come on
Oh yeah
Come on, come on
Come on, come on

Shout
Ooh, ooh

Come on in, hang your coats
Eat our chips, come on, we’ve got loads
Shake your coconuts, coco boys
Until the nut comes out, come on coco girls

Chorus:
Just keep on dancing now
Just keep on getting down
Just keep on having fun
The party’s just begun
Just keep on dancing now
Just keep on getting down
Just keep on having fun
The party’s just begun

All dress up, and dress-to-kill
Doctor says, come on, eat your pills
Shake your coconuts, coco boys
Until the milk comes out, come on, coco girls

Chorus

It’s Junior/Senior time to show us you care, hey
Just feel the power put your hands in the air, hey
Hey boys and girls we want to see what you got, hey
We wanna see you shaking coconuts
Shake it

We’ll get up, to sing some music
We’ll get down, to pass the time
Shake your coconuts, come on, coco boys
Shake you coconuts, come on, coco girls

Chorus

Just keep on dancing now
Just keep on getting down
Just keep on having fun
The party’s just begun




Move Your Feet

Don’t stop, don’t stop the feet
Won’t stop, won’t stop the beat
and GO

(Junior)
Chorus:
Everybody,
move you’re feet,
and feel united ohohoh (2x)

Yeah, got the dance energy, oh yeah (4x)

(Senior)
d-d-don’t stop the beat
I c-c-can’t control the feet
p-p-people in the streets
com’on everybody, move you’re feet
Don’t stop, (don’t stop) don’t stop, the beat
I can’t stop, (can’t stop) can’t stop the beat
I won’t stop, won’t stop (won’t stop) the beat
And GO
(Junior)
Chorus
Everybody,
move you’re feet,
and feel united ohohoh (2x)

Yeah, got the dance energy, oh yeah(3x)

(Senior)
s-s-sing my song and
y-y-you sing along, just
p-p-put my record on
and all of you’re troubles are de*d and gone

Don’t stop, (don’t stop) don’t stop, the beat
I can’t stop, (can’t stop) can’t stop the beat
I won’t stop, (won’t stop) won’t stop the beat
And GO

(Junior)
Chorus:
Everybody,
move you’re feet,
and feel united ohohoh (2x)

Yeah,
Oh yeah (3x)

(Senior)
Don’t stop, (don’t stop) don’t stop, the beat
I can’t stop, (can’t stop) can’t stop the beat
I won’t stop, (won’t stop) won’t stop the beat
‘N’ GO

(Junior)
Chorus (3x):
Everybody,
move you’re feet,
and feel united ohohoh

Yeah






junkie xl SOLOMON BURKE CATCH UP TO MY STEP



jungle brothers please don’t stop



beastie boy right,right,now,now




DR.Dre rolling stone mix miss you



I’ve been holding out so long
I’ve been sleeping all alone
Lord I miss you
I’ve been hanging on the phone
I’ve been sleeping all alone
I want to kiss you

Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh

Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh oooh

Well, I’ve been haunted in my sleep
You’ve been starring in my dreams
Lord I miss you
I’ve been waiting in the hall
Been waiting on your call
When the phone rings
It’s just some friends of mine that say,
“Hey, what’s the matter man?
We’re gonna come around at twelve
With some Puerto Rican girls that are just dyin’ to meet you.
We’re gonna bring a case of wine
Hey, let’s go mess and fool around
You know, like we used to”

Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah

Oh everybody waits so long
Oh baby why you wait so long
Won’t you come on! Come on!

I’ve been walking in Central Park
Singing after dark
People think I’m crazy
I’ve been stumbling on my feet
Shuffling through the street
Asking people, “What’s the matter with you boy?”

Sometimes I want to say to myself
Sometimes I say

Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh

Oooh oooh oooh oooh oooh oooh oooh
Oooh oooh oooh oooh oooh oooh oooh
I won’t miss you child

I guess I’m lying to myself
It’s just you and no one else
Lord I won’t miss you child
You’ve been blotting out my mind
Fooling on my time
No, I won’t miss you, baby, yeah

Lord, I miss you child

Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah

Lord, I miss you child

Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah

Lord, I miss you child

Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah aaah aaah aaah
Aaah aaah aaah aaah



prodigy hot ride





basement jaxx featuring Siouxsie Sioux cish cash


You missed that so you wanna kick back
All messed up and that’s a fact
If you wanna risk that do that

I guess its time for payback
So u want your cish cash
All wet up and splish splash
So mish mash you slash and go go go

You want it – you take it
You take it – you got it
You want it – you take it

You’re insatiable

It’s not enough you want more of it
It’s not enough must have all of it
Overflowing on overkill
All the hands are out for their pound of flesh

It makes the world spin round & round
The hands are out for their bloody pound
Overflowing on overkill
Sticky licky yummy yummy
Dipping in the milk & honey

You want it – you take it
You take it – you got it
You want it – you take it

You’re insatiable

They say it makes the world spin round

Splish splash coming for your cish cash






felix da housecat watching cars go by



the crystal method i know it’s you





dirty vegas walk into the sun



lately I’ve been feeling different,
like I’ve come from outer space,
and i notice something missing
when it’s you i can’t replace

And as i walk into the sun…
and as i stare across this ocean…
and as i start a brand new day…
but i felt we’d be the same, again.

Up ahead there in the distance
shadows coming through the haze
you’re the only one that listens..
to help me break loose from these chains,

And as i walk into the sun…
and as i stare across this ocean…
and as i start a brand new day…
but i felt we’d be the same, again.

the same again..

ahh-ah-ah-ah-ah-ah-ahh

And as i walk into the sun…
and as i stare across this ocean…
and as i start a brand new day…
but i felt we’d be the same, again.

And as i walk into the sun…
and as i stare across this ocean…
and as i start a brand new day…
but i felt we’d be the same, again.

看了周星驰导演的《功夫》一片,联想到一个很有意思的观点,仅在此抛砖引玉。

这是不是又一部怀旧的电影。总有一些导演,热衷于在影片中重复拍摄一些已经出现过的场面,或是引用一些已被奉为经典的氛围来把自己的作品提高到一定的高度,在影片的上映之前,献给评论界一份饶有趣味的炒作点。而,星驰的电影绝对不需要这些。中国武术的博大精深,受到了无数人的顶礼膜拜,我们会从很多影片中找到其影射。比如,在昆丁最新制作的杀死比尔浓缩版中,这种情愫得到了延续,声音,影响,line,都不尽让我怀疑他是不是曾经在他的家乡遭受过我国有志人士的劫杀,这印象看来是渗入骨里了。但是当你在看这两部片子的时候,带给你的体验并不一样,黄皮肤演员人数的差别会起一些作用,可流淌在从内容到表演之中的真情实感是模仿不了的,哪怕是昆丁拍的多么严肃,星驰的滑稽至上。于是,我们可以将杀死比尔一片归结为是一种模仿的成功,而功夫则是真正的怀旧。怀旧并不一定都要有时代的退移,把时间线放到今天,也一样会有人在天天用一种外人以为病态的心理,怀念着“未来”。“可这不是发生在老上海么?”,没错,所以它就更怀旧了~

2005年01月08日

有兴趣的人可以走一走时尚,随便下个黑软探针一下这里http://www.yasukuni.or.jp/english/

,当然如果这里已经被当,那还可以把这里也http://www.japan-guide.com/e/e2321.html。。。

这些日子一直都因为东南亚一带发生的海啸,而心存忌惮。看到每天的死亡人数都以‘万’为单位不断的增长,巴厘岛本是旅游胜地,游客总是会选择本国最阴冷的时刻去那个永远不会见不到‘阳光’的地方享受休闲快乐。而今,这份闲情逸致再也不会有了。每当看到像东京,圣保罗这样的城市,人们拥挤在其中,各尽其责时。一方面会心中十分的向往,另一方面,又会感慨人类开发世界无尽的想象力。正是这种想象力让我们的生活变得越来越安逸,而资源的浪费,破坏,就在把灾难慢慢的引导于我们身上。这是一种无法遏制的前进。似乎仅仅觊觎开发者去意识到这些问题而放弃金钱是不可能的,那么我们需求者本身就应当承担起抵制的责任,避免灾难的不断发生。